'Interview with the vampire' and 'Wuthering Heights' and the diabolical reversal of the nuclear family

Fiction & Literature, Literary Theory & Criticism, British
Cover of the book 'Interview with the vampire' and 'Wuthering Heights' and the diabolical reversal of the nuclear family by Bianca Stärk, GRIN Publishing
View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart
Author: Bianca Stärk ISBN: 9783638571364
Publisher: GRIN Publishing Publication: November 20, 2006
Imprint: GRIN Publishing Language: English
Author: Bianca Stärk
ISBN: 9783638571364
Publisher: GRIN Publishing
Publication: November 20, 2006
Imprint: GRIN Publishing
Language: English

Seminar paper from the year 2003 in the subject English Language and Literature Studies - Literature, grade: 2,3, Victoria University of Technology, Melbourne (Faculty of Arts, Education and Human Development), course: Popular Fictions, 13 entries in the bibliography, language: English, abstract: Both novels are filed under Gothic fiction. Gothic always represents 'otherness'. 'Gothic fiction,..., frequently represents the ways in which both family and class, ..., are threatened or attacked by the 'dark forces' of transgressive sexuality, illicit desires, and unsanctioned class mobility'(Niqi:1). The Gothic centre is 'the realm of the family and the domestic and the class structures'(Niqi:2). Anne Williams argues that 'the Gothic myth' (Williams: 22) is the patriarchal family. Gothic is determined by the rules of the family because family structure also generates the plots within Gothic. 'Gothic plots are family plots, Gothic romance is family romance.' (Williams: 22) In the English language plot also means 'an area of ground' and therefore the 'Gothic myth' has special kinds of settings. Not every story can take place in a haunted castle.

View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart

Seminar paper from the year 2003 in the subject English Language and Literature Studies - Literature, grade: 2,3, Victoria University of Technology, Melbourne (Faculty of Arts, Education and Human Development), course: Popular Fictions, 13 entries in the bibliography, language: English, abstract: Both novels are filed under Gothic fiction. Gothic always represents 'otherness'. 'Gothic fiction,..., frequently represents the ways in which both family and class, ..., are threatened or attacked by the 'dark forces' of transgressive sexuality, illicit desires, and unsanctioned class mobility'(Niqi:1). The Gothic centre is 'the realm of the family and the domestic and the class structures'(Niqi:2). Anne Williams argues that 'the Gothic myth' (Williams: 22) is the patriarchal family. Gothic is determined by the rules of the family because family structure also generates the plots within Gothic. 'Gothic plots are family plots, Gothic romance is family romance.' (Williams: 22) In the English language plot also means 'an area of ground' and therefore the 'Gothic myth' has special kinds of settings. Not every story can take place in a haunted castle.

More books from GRIN Publishing

Cover of the book Dubai, from the scratch until today - A new vision of tourism? by Bianca Stärk
Cover of the book Recovery of Financial Markets and Institutions and Challenges in Post-Crisis Era by Bianca Stärk
Cover of the book Bildungswissenschaftler im Bereich der Interkulturellen Arbeit mit Migranten. Zum 4 CID-Modell by Bianca Stärk
Cover of the book Contact linguistics: The Contact Situation between Americans and Hispanics in the South of the United States: A Linguistical and Sociolinguistical Approach by Bianca Stärk
Cover of the book Aboriginal English - a dialect of English by Bianca Stärk
Cover of the book Production of olefins via oxidative de-hydrogenation of C3-C4 fraction by O2 over (Cr-Mo)SiO2 by Bianca Stärk
Cover of the book Brutale Computerspiele by Bianca Stärk
Cover of the book 'Ich weiß was, was du nicht weißt...' Von der Wissenskluft zum Digital Divide by Bianca Stärk
Cover of the book Characteral Development in Henry James' 'The Real Thing' by Bianca Stärk
Cover of the book Grey Tourism in Australia by Bianca Stärk
Cover of the book The Yellow Wallpaper - A Stylistic Analysis by Bianca Stärk
Cover of the book Die Feier der byzantinischen Liturgie by Bianca Stärk
Cover of the book Multiple Iago - The Character and Motives of Iago in Shakespeare's Othello by Bianca Stärk
Cover of the book Inequality in Ireland by Bianca Stärk
Cover of the book Service-oriented IT-architectures for Business Intelligence by Bianca Stärk
We use our own "cookies" and third party cookies to improve services and to see statistical information. By using this website, you agree to our Privacy Policy