Chaucer for Children: A Golden Key

Nonfiction, Religion & Spirituality, New Age, History, Fiction & Literature
Cover of the book Chaucer for Children: A Golden Key by Mrs. H. R. Haweis, Library of Alexandria
View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart
Author: Mrs. H. R. Haweis ISBN: 9781465597267
Publisher: Library of Alexandria Publication: March 8, 2015
Imprint: Language: English
Author: Mrs. H. R. Haweis
ISBN: 9781465597267
Publisher: Library of Alexandria
Publication: March 8, 2015
Imprint:
Language: English
A Chaucer for Children may seem to some an impossible story-book, but it is one which I have been encouraged to put together by noticing how quickly my own little boy learned and understood fragments of early English poetry. I believe that if they had the chance, many other children would do the same. I think that much of the construction and pronunciation of old English which seems stiff and obscure to grown up people, appears easy to children, whose crude language is in many ways its counterpart. The narrative in early English poetry is almost always very simply and clearly expressed, with the same kind of repetition of facts and names which, as every mother knows, is what children most require in story-telling. The emphasis which the final E gives to many words is another thing which helps to impress the sentences on the memory, the sense being often shorter than the sound. It seems but natural that every English child should know something of one who left so deep an impression on his age, and on the English tongue, that he has been called by Occleve “the finder of our fair language.” For in his day there was actually no national language, no national literature, English consisting of so many dialects, each having its own literature intelligible to comparatively few; and the Court and educated classes still adhering greatly to Norman-French for both speaking and writing. Chaucer, who wrote for the people, chose the best form of English, which was that spoken at Court, at a time when English was regaining supremacy over French; and the form he adopted laid the foundation of our present National Tongue.
View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart
A Chaucer for Children may seem to some an impossible story-book, but it is one which I have been encouraged to put together by noticing how quickly my own little boy learned and understood fragments of early English poetry. I believe that if they had the chance, many other children would do the same. I think that much of the construction and pronunciation of old English which seems stiff and obscure to grown up people, appears easy to children, whose crude language is in many ways its counterpart. The narrative in early English poetry is almost always very simply and clearly expressed, with the same kind of repetition of facts and names which, as every mother knows, is what children most require in story-telling. The emphasis which the final E gives to many words is another thing which helps to impress the sentences on the memory, the sense being often shorter than the sound. It seems but natural that every English child should know something of one who left so deep an impression on his age, and on the English tongue, that he has been called by Occleve “the finder of our fair language.” For in his day there was actually no national language, no national literature, English consisting of so many dialects, each having its own literature intelligible to comparatively few; and the Court and educated classes still adhering greatly to Norman-French for both speaking and writing. Chaucer, who wrote for the people, chose the best form of English, which was that spoken at Court, at a time when English was regaining supremacy over French; and the form he adopted laid the foundation of our present National Tongue.

More books from Library of Alexandria

Cover of the book The Snow Image and Other Stories by Mrs. H. R. Haweis
Cover of the book Shakespeare and Precious Stones: Treating of the Known References of Precious Stones in Shakespeare's Works by Mrs. H. R. Haweis
Cover of the book Yama: The Pit by Mrs. H. R. Haweis
Cover of the book The World's Earliest Music: Traced to Its Beginnings in Ancient Lands by Mrs. H. R. Haweis
Cover of the book L'archeologie Egyptienne by Mrs. H. R. Haweis
Cover of the book The Last Journals of David Livingstone, in Central Africa, From 1865 to His Death, 1866-1873 Continued by a Narrative of His Last Moments and Sufferings, Obtained From His Faithful Servants Chuma and Susi (Complete) by Mrs. H. R. Haweis
Cover of the book Bell's Cathedrals: The Cathedral Church of Carlisle, A Description of Its Fabric and A Brief History of the Episcopal See by Mrs. H. R. Haweis
Cover of the book Forged Egyptian Antiquities by Mrs. H. R. Haweis
Cover of the book The Selected Works of Arthur Schopenhauer by Mrs. H. R. Haweis
Cover of the book Manco, the Peruvian Chief: An Englishman's Adventures in the Country of the Incas by Mrs. H. R. Haweis
Cover of the book The Complete Works in Philosophy, Politics and Morals of the late Dr. Benjamin Franklin (Complete) by Mrs. H. R. Haweis
Cover of the book Leatherface: A Tale of Old Flanders by Mrs. H. R. Haweis
Cover of the book Thirty Years on the Frontier by Mrs. H. R. Haweis
Cover of the book The Social Gangster by Mrs. H. R. Haweis
Cover of the book The Vinland Champions by Mrs. H. R. Haweis
We use our own "cookies" and third party cookies to improve services and to see statistical information. By using this website, you agree to our Privacy Policy