Dismembering the American Dream

The Life and Fiction of Richard Yates

Fiction & Literature, Literary Theory & Criticism, American
Cover of the book Dismembering the American Dream by Kate Charlton-Jones, Monica Yates Shapiro, University of Alabama Press
View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart
Author: Kate Charlton-Jones, Monica Yates Shapiro ISBN: 9780817387488
Publisher: University of Alabama Press Publication: August 30, 2014
Imprint: University Alabama Press Language: English
Author: Kate Charlton-Jones, Monica Yates Shapiro
ISBN: 9780817387488
Publisher: University of Alabama Press
Publication: August 30, 2014
Imprint: University Alabama Press
Language: English

Winner of the Elizabeth Agee Prize in American Literature

Since his death in Alabama in 1992, the work of American writer Richard Yates has enjoyed a renaissance, culminating in director Sam Mendes’s adaption of the novel Revolutionary Road (starring Leonardo DiCaprio and Kate Winslet). Dismembering the American Dream is the first book-length critical study of Yates’s fiction.
 
Kate Charlton-Jones argues that to read Yates’s tales of disordered lives is to uncover not misery, though the lives he describes are sad ones, but a profound, enriching, and humorous understanding of human weakness and vulnerability. Yates’s narratives absorb his readers so entirely, mirroring their own emotional highs and lows with such skill, that reading becomes recognition. Yates demonstrates his ability to tease powerful human drama out of the most ordinary, quotidian moments. At the same time, Yates’s fiction displays an object lesson in the art of fine prose writing, so it is no surprise that many early fans of Yates were also established writers.
 
Charlton-Jones explores how Yates extends the realist form and investigates three main recurring themes of his fiction: observations about performative behavior, which are at the heart of all his fictions; his conception of the writer’s role in society; and how he envisages the development of social and sexual relationships. Furthermore, Charlton-Jones illustrates how Yates incorporates some of the concerns and methods of postmodernist writers but how, nevertheless, he resists their ontological challenges.
 
Drawing on the author’s personal papers and with a foreword by DeWitt Henry and an afterword by Richard Yates’s daughter Monica, Dismembering the American Dream provides an extended critical examination of the often neglected but important work of this gifted and accomplished author. 

View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart

Winner of the Elizabeth Agee Prize in American Literature

Since his death in Alabama in 1992, the work of American writer Richard Yates has enjoyed a renaissance, culminating in director Sam Mendes’s adaption of the novel Revolutionary Road (starring Leonardo DiCaprio and Kate Winslet). Dismembering the American Dream is the first book-length critical study of Yates’s fiction.
 
Kate Charlton-Jones argues that to read Yates’s tales of disordered lives is to uncover not misery, though the lives he describes are sad ones, but a profound, enriching, and humorous understanding of human weakness and vulnerability. Yates’s narratives absorb his readers so entirely, mirroring their own emotional highs and lows with such skill, that reading becomes recognition. Yates demonstrates his ability to tease powerful human drama out of the most ordinary, quotidian moments. At the same time, Yates’s fiction displays an object lesson in the art of fine prose writing, so it is no surprise that many early fans of Yates were also established writers.
 
Charlton-Jones explores how Yates extends the realist form and investigates three main recurring themes of his fiction: observations about performative behavior, which are at the heart of all his fictions; his conception of the writer’s role in society; and how he envisages the development of social and sexual relationships. Furthermore, Charlton-Jones illustrates how Yates incorporates some of the concerns and methods of postmodernist writers but how, nevertheless, he resists their ontological challenges.
 
Drawing on the author’s personal papers and with a foreword by DeWitt Henry and an afterword by Richard Yates’s daughter Monica, Dismembering the American Dream provides an extended critical examination of the often neglected but important work of this gifted and accomplished author. 

More books from University of Alabama Press

Cover of the book Scalia v. Scalia by Kate Charlton-Jones, Monica Yates Shapiro
Cover of the book Building a Legislative-Centered Public Administration by Kate Charlton-Jones, Monica Yates Shapiro
Cover of the book Memorial Boxes and Guarded Interiors by Kate Charlton-Jones, Monica Yates Shapiro
Cover of the book A Place of Our Own by Kate Charlton-Jones, Monica Yates Shapiro
Cover of the book Opposing the Second Corps at Antietam by Kate Charlton-Jones, Monica Yates Shapiro
Cover of the book Alabama Afternoons by Kate Charlton-Jones, Monica Yates Shapiro
Cover of the book Footprints in Stone by Kate Charlton-Jones, Monica Yates Shapiro
Cover of the book Miles of Stare by Kate Charlton-Jones, Monica Yates Shapiro
Cover of the book My Amputations by Kate Charlton-Jones, Monica Yates Shapiro
Cover of the book A Field on Fire by Kate Charlton-Jones, Monica Yates Shapiro
Cover of the book The Americas That Might Have Been by Kate Charlton-Jones, Monica Yates Shapiro
Cover of the book Paper Empire by Kate Charlton-Jones, Monica Yates Shapiro
Cover of the book Cannoneers in Gray by Kate Charlton-Jones, Monica Yates Shapiro
Cover of the book A History of the Osage People by Kate Charlton-Jones, Monica Yates Shapiro
Cover of the book Building a Nation by Kate Charlton-Jones, Monica Yates Shapiro
We use our own "cookies" and third party cookies to improve services and to see statistical information. By using this website, you agree to our Privacy Policy