Ebert's Bests

Nonfiction, Entertainment, Film, History & Criticism, Performing Arts
Cover of the book Ebert's Bests by Roger Ebert, University of Chicago Press
View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart
Author: Roger Ebert ISBN: 9780226048901
Publisher: University of Chicago Press Publication: December 20, 2012
Imprint: University of Chicago Press Language: English
Author: Roger Ebert
ISBN: 9780226048901
Publisher: University of Chicago Press
Publication: December 20, 2012
Imprint: University of Chicago Press
Language: English

Roger Ebert is a name synonymous with the movies. In Ebert’s Bests, he takes readers through the journey of how he became a film critic, from his days at a student-run cinema club to his rise as a television commentator in At the Movies and Siskel & Ebert. Recounting the influence of French New Wave, his friendships with Werner Herzog and Martin Scorsese, as well as travels to Sweden and Rome to visit Ingrid Bergman and Federico Fellini, Ebert never loses sight of film as a key component of our cultural identity. In considering the ethics of film criticism—why we should take all film seriously, without prejudgment or condescension—he argues that film critics ought always to engage in open-minded dialogue with a movie. Extending this to his accompanying selection of “10 Bests,” he reminds us that hearts and minds—and even rankings—are bound to change.

View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart

Roger Ebert is a name synonymous with the movies. In Ebert’s Bests, he takes readers through the journey of how he became a film critic, from his days at a student-run cinema club to his rise as a television commentator in At the Movies and Siskel & Ebert. Recounting the influence of French New Wave, his friendships with Werner Herzog and Martin Scorsese, as well as travels to Sweden and Rome to visit Ingrid Bergman and Federico Fellini, Ebert never loses sight of film as a key component of our cultural identity. In considering the ethics of film criticism—why we should take all film seriously, without prejudgment or condescension—he argues that film critics ought always to engage in open-minded dialogue with a movie. Extending this to his accompanying selection of “10 Bests,” he reminds us that hearts and minds—and even rankings—are bound to change.

More books from University of Chicago Press

Cover of the book Catarina the Wise and Other Wondrous Sicilian Folk and Fairy Tales by Roger Ebert
Cover of the book Education and Equality by Roger Ebert
Cover of the book A Perfect Mess by Roger Ebert
Cover of the book The Raj Quartet, Volume 3 by Roger Ebert
Cover of the book You Were Never in Chicago by Roger Ebert
Cover of the book Singing in the Age of Anxiety by Roger Ebert
Cover of the book The Legendary Detective by Roger Ebert
Cover of the book A Manual for Writers of Research Papers, Theses, and Dissertations, Ninth Edition by Roger Ebert
Cover of the book Running Science by Roger Ebert
Cover of the book The Alchemical Body by Roger Ebert
Cover of the book African Successes, Volume II by Roger Ebert
Cover of the book Learning to Love Form 1040 by Roger Ebert
Cover of the book Papi by Roger Ebert
Cover of the book Iphigenia among the Taurians by Roger Ebert
Cover of the book Kinaesthetic Knowing by Roger Ebert
We use our own "cookies" and third party cookies to improve services and to see statistical information. By using this website, you agree to our Privacy Policy