Emile Zola and the Artistry of Adaptation

Fiction & Literature, Literary Theory & Criticism
Cover of the book Emile Zola and the Artistry of Adaptation by Kate Griffiths, Taylor and Francis
View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart
Author: Kate Griffiths ISBN: 9781351194136
Publisher: Taylor and Francis Publication: December 2, 2017
Imprint: Routledge Language: English
Author: Kate Griffiths
ISBN: 9781351194136
Publisher: Taylor and Francis
Publication: December 2, 2017
Imprint: Routledge
Language: English

"Filmmakers have drawn inspiration from the pages of Emile Zola from the earliest days of cinema. The ever-growing number of adaptations they have produced spans eras, genres, languages, and styles. In spite of the diversity of these approaches, numerous critics regard them as inferior copies of a superior textual original. But key novels by Zola resist this critical approach to adaptation. Both at the level of characterization and in terms of their own textual inheritance, they question the very possibility of origin, be it personal or textual. In the light of this questioning, the cinematic versions created from Zolas texts merit critical re-evaluation. Far from being facile copies of the nineteenth-century novelists works, these films assess their own status as adaptations, playing with both notions of artistic creation and their own artistic act. Kate Griffiths is a lecturer in French at Swansea University."

View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart

"Filmmakers have drawn inspiration from the pages of Emile Zola from the earliest days of cinema. The ever-growing number of adaptations they have produced spans eras, genres, languages, and styles. In spite of the diversity of these approaches, numerous critics regard them as inferior copies of a superior textual original. But key novels by Zola resist this critical approach to adaptation. Both at the level of characterization and in terms of their own textual inheritance, they question the very possibility of origin, be it personal or textual. In the light of this questioning, the cinematic versions created from Zolas texts merit critical re-evaluation. Far from being facile copies of the nineteenth-century novelists works, these films assess their own status as adaptations, playing with both notions of artistic creation and their own artistic act. Kate Griffiths is a lecturer in French at Swansea University."

More books from Taylor and Francis

Cover of the book Blacks, Mulattos, and the Dominican Nation by Kate Griffiths
Cover of the book The New Yearbook for Phenomenology and Phenomenological Philosophy by Kate Griffiths
Cover of the book Microeconomic Theory second edition by Kate Griffiths
Cover of the book The Anatomy of Language by Kate Griffiths
Cover of the book Single-Camera Video Production by Kate Griffiths
Cover of the book Striving for the Whole by Kate Griffiths
Cover of the book Improving Learning in a Professional Context by Kate Griffiths
Cover of the book Gender & Italian Archaeology by Kate Griffiths
Cover of the book The International Monetary Fund (IMF) by Kate Griffiths
Cover of the book Organs without Bodies by Kate Griffiths
Cover of the book Perspectives On Conservation by Kate Griffiths
Cover of the book Vital Signs 1997-1998 by Kate Griffiths
Cover of the book Communal Violence and Democratization in Indonesia by Kate Griffiths
Cover of the book Public Relations by Kate Griffiths
Cover of the book West African Kingdoms in the Nineteenth Century by Kate Griffiths
We use our own "cookies" and third party cookies to improve services and to see statistical information. By using this website, you agree to our Privacy Policy