Evita, Inevitably

Performing Argentina's Female Icons Before and After Eva Perón

Nonfiction, Entertainment, Theatre, Broadway & Musical Revue, Fiction & Literature, Drama, Musicals, Performing Arts
Cover of the book Evita, Inevitably by Jean Graham-Jones, University of Michigan Press
View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart
Author: Jean Graham-Jones ISBN: 9780472120550
Publisher: University of Michigan Press Publication: October 23, 2014
Imprint: University of Michigan Press Language: English
Author: Jean Graham-Jones
ISBN: 9780472120550
Publisher: University of Michigan Press
Publication: October 23, 2014
Imprint: University of Michigan Press
Language: English

Evita, Inevitably sheds new light on the history and culture of Argentina by examining the performances and reception of the country’s most iconic female figures, in particular, Eva Perón, who rose from poverty to become a powerful international figure. The book links the Evita legend to a broader pattern of female iconicity from the mid-nineteenth century onward, reading Evita against the performances of other female icons: Camila O’Gorman, executed by firing squad over her affair with a Jesuit priest; Difunta Correa, a devotional figure who has achieved near-sainthood; cumbia-pop performer Gilda; the country’s patron saint, the Virgin of Luján; and finally, Argentina’s president, Cristina Fernández de Kirchner. Employing the tools of discursive, visual, and performance analysis, Jean Graham-Jones studies theatrical performance, literature, film, folklore, Catholic iconography, and Internet culture to document the ways in which these “femicons” have been staged.

View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart

Evita, Inevitably sheds new light on the history and culture of Argentina by examining the performances and reception of the country’s most iconic female figures, in particular, Eva Perón, who rose from poverty to become a powerful international figure. The book links the Evita legend to a broader pattern of female iconicity from the mid-nineteenth century onward, reading Evita against the performances of other female icons: Camila O’Gorman, executed by firing squad over her affair with a Jesuit priest; Difunta Correa, a devotional figure who has achieved near-sainthood; cumbia-pop performer Gilda; the country’s patron saint, the Virgin of Luján; and finally, Argentina’s president, Cristina Fernández de Kirchner. Employing the tools of discursive, visual, and performance analysis, Jean Graham-Jones studies theatrical performance, literature, film, folklore, Catholic iconography, and Internet culture to document the ways in which these “femicons” have been staged.

More books from University of Michigan Press

Cover of the book Signifying Bodies by Jean Graham-Jones
Cover of the book Dameronia by Jean Graham-Jones
Cover of the book Acts of Gaiety by Jean Graham-Jones
Cover of the book Candidates, Congress, and the American Democracy by Jean Graham-Jones
Cover of the book Ethnic Cues by Jean Graham-Jones
Cover of the book Immersions in Cultural Difference by Jean Graham-Jones
Cover of the book The Color of Representation by Jean Graham-Jones
Cover of the book Microdramas by Jean Graham-Jones
Cover of the book Anne Carson by Jean Graham-Jones
Cover of the book How Sondheim Found His Sound by Jean Graham-Jones
Cover of the book Poetry Los Angeles by Jean Graham-Jones
Cover of the book Michigan Shrubs and Vines by Jean Graham-Jones
Cover of the book Before the Dissertation by Jean Graham-Jones
Cover of the book Secrecy and Cultural Reality by Jean Graham-Jones
Cover of the book American Poetry in Performance by Jean Graham-Jones
We use our own "cookies" and third party cookies to improve services and to see statistical information. By using this website, you agree to our Privacy Policy