Masters of the Grotesque

The Cinema of Tim Burton, Terry Gilliam, the Coen Brothers and David Lynch

Nonfiction, Entertainment, Performing Arts, Film, Social & Cultural Studies, Social Science, Cultural Studies, Popular Culture
Cover of the book Masters of the Grotesque by Schuy R. Weishaar, McFarland & Company, Inc., Publishers
View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart
Author: Schuy R. Weishaar ISBN: 9781476600604
Publisher: McFarland & Company, Inc., Publishers Publication: October 16, 2012
Imprint: Language: English
Author: Schuy R. Weishaar
ISBN: 9781476600604
Publisher: McFarland & Company, Inc., Publishers
Publication: October 16, 2012
Imprint:
Language: English

The concepts and theories surrounding the aesthetic category of the grotesque are explored in this book by pursuing their employment in the films of American auteurs Tim Burton, Terry Gilliam, the Coen Brothers and David Lynch. The author argues that interpreting these directors’ films through the lens of the grotesque allows us1to situate both the auteurs and the films within a long history of the grotesque in art and aesthetics. This cultural tradition effectively subsumes the contribution of any artist or1genre that intersects it but also affords the artist or genre—the auteur and the genre filmmaker—a pantheon and an abundance of images, themes, and motifs through which he1or she can subversively represent the world and our place in it.

View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart

The concepts and theories surrounding the aesthetic category of the grotesque are explored in this book by pursuing their employment in the films of American auteurs Tim Burton, Terry Gilliam, the Coen Brothers and David Lynch. The author argues that interpreting these directors’ films through the lens of the grotesque allows us1to situate both the auteurs and the films within a long history of the grotesque in art and aesthetics. This cultural tradition effectively subsumes the contribution of any artist or1genre that intersects it but also affords the artist or genre—the auteur and the genre filmmaker—a pantheon and an abundance of images, themes, and motifs through which he1or she can subversively represent the world and our place in it.

More books from McFarland & Company, Inc., Publishers

Cover of the book Witch Hunts by Schuy R. Weishaar
Cover of the book The Trial of Susan B. Anthony by Schuy R. Weishaar
Cover of the book George Altman by Schuy R. Weishaar
Cover of the book Wyatt Earp's Cow-boy Campaign by Schuy R. Weishaar
Cover of the book Colonels in Blue--Indiana, Kentucky and Tennessee by Schuy R. Weishaar
Cover of the book Thurman Munson by Schuy R. Weishaar
Cover of the book Pregnancy in Literature and Film by Schuy R. Weishaar
Cover of the book June Cleaver Was a Feminist! by Schuy R. Weishaar
Cover of the book Articulating the Action Figure by Schuy R. Weishaar
Cover of the book The Great Chicago Fire and the Myth of Mrs. O'Leary's Cow by Schuy R. Weishaar
Cover of the book Masculinity and Its Challenges in India by Schuy R. Weishaar
Cover of the book Arthurian Animation by Schuy R. Weishaar
Cover of the book Historic Nevada Waters by Schuy R. Weishaar
Cover of the book Hitchcock's Objects as Subjects by Schuy R. Weishaar
Cover of the book Trammell by Schuy R. Weishaar
We use our own "cookies" and third party cookies to improve services and to see statistical information. By using this website, you agree to our Privacy Policy