Mozart's Music of Friends

Social Interplay in the Chamber Works

Nonfiction, Entertainment, Music, Theory & Criticism, History & Criticism, Reference
Cover of the book Mozart's Music of Friends by Edward Klorman, Cambridge University Press
View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart
Author: Edward Klorman ISBN: 9781316530559
Publisher: Cambridge University Press Publication: April 21, 2016
Imprint: Cambridge University Press Language: English
Author: Edward Klorman
ISBN: 9781316530559
Publisher: Cambridge University Press
Publication: April 21, 2016
Imprint: Cambridge University Press
Language: English

In 1829 Goethe famously described the string quartet as 'a conversation among four intelligent people'. Inspired by this metaphor, Edward Klorman's study draws on a wide variety of documentary and iconographic sources to explore Mozart's chamber works as 'the music of friends'. Illuminating the meanings and historical foundations of comparisons between chamber music and social interplay, Klorman infuses the analysis of sonata form and phrase rhythm with a performer's sensibility. He develops a new analytical method called multiple agency that interprets the various players within an ensemble as participants in stylized social intercourse - characters capable of surprising, seducing, outwitting, and even deceiving one another musically. This book is accompanied by online resources that include original recordings performed by the author and other musicians, as well as video analyses that invite the reader to experience the interplay in time, as if from within the ensemble.

View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart

In 1829 Goethe famously described the string quartet as 'a conversation among four intelligent people'. Inspired by this metaphor, Edward Klorman's study draws on a wide variety of documentary and iconographic sources to explore Mozart's chamber works as 'the music of friends'. Illuminating the meanings and historical foundations of comparisons between chamber music and social interplay, Klorman infuses the analysis of sonata form and phrase rhythm with a performer's sensibility. He develops a new analytical method called multiple agency that interprets the various players within an ensemble as participants in stylized social intercourse - characters capable of surprising, seducing, outwitting, and even deceiving one another musically. This book is accompanied by online resources that include original recordings performed by the author and other musicians, as well as video analyses that invite the reader to experience the interplay in time, as if from within the ensemble.

More books from Cambridge University Press

Cover of the book The Politics of African-American Education by Edward Klorman
Cover of the book Collecting Qualitative Data by Edward Klorman
Cover of the book The Cambridge Companion to American Modernism by Edward Klorman
Cover of the book Much Ado about Nothing by Edward Klorman
Cover of the book The Cambridge Introduction to Creative Writing by Edward Klorman
Cover of the book Elementary Syntactic Structures by Edward Klorman
Cover of the book An Introduction to Support Vector Machines and Other Kernel-based Learning Methods by Edward Klorman
Cover of the book Regime Interaction in International Law by Edward Klorman
Cover of the book The Self in Understanding and Treating Psychological Disorders by Edward Klorman
Cover of the book A Guide to NIP Theories by Edward Klorman
Cover of the book The Practice of Shared Responsibility in International Law by Edward Klorman
Cover of the book Adaptive Technologies for Training and Education by Edward Klorman
Cover of the book The Cell as a Machine by Edward Klorman
Cover of the book Exclusions from Patentability by Edward Klorman
Cover of the book The American Congress by Edward Klorman
We use our own "cookies" and third party cookies to improve services and to see statistical information. By using this website, you agree to our Privacy Policy