Novel Theory and Technology in Modernist Britain

Fiction & Literature, Literary Theory & Criticism, British, Theory
Cover of the book Novel Theory and Technology in Modernist Britain by Heather Fielding, Cambridge University Press
View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart
Author: Heather Fielding ISBN: 9781108629294
Publisher: Cambridge University Press Publication: April 30, 2018
Imprint: Cambridge University Press Language: English
Author: Heather Fielding
ISBN: 9781108629294
Publisher: Cambridge University Press
Publication: April 30, 2018
Imprint: Cambridge University Press
Language: English

Modernism reshaped novel theory, shifting criticism away from readers' experiences and toward the work as an object autonomous from any reader. Novel Theory and Technology in Modernist Britain excavates technology's crucial role in this evolution and offers a new history of modernism's vision of the novel. To many modernists, both novel and machine increasingly seemed to merge into the experiences of readers or users. But modernists also saw potential for a different understanding of technology - in pre-modern machines, or the technical functioning of technologies stripped of their current social roles. With chapters on Henry James, Ford Madox Ford, Wyndham Lewis, and Rebecca West, Novel Theory argues that in these alternative visions of technology, modernists found models for how the novel might become an autonomous, intellectual object rather than a familiar experience, and articulated a future for the novel by imagining it as a new kind of machine.

View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart

Modernism reshaped novel theory, shifting criticism away from readers' experiences and toward the work as an object autonomous from any reader. Novel Theory and Technology in Modernist Britain excavates technology's crucial role in this evolution and offers a new history of modernism's vision of the novel. To many modernists, both novel and machine increasingly seemed to merge into the experiences of readers or users. But modernists also saw potential for a different understanding of technology - in pre-modern machines, or the technical functioning of technologies stripped of their current social roles. With chapters on Henry James, Ford Madox Ford, Wyndham Lewis, and Rebecca West, Novel Theory argues that in these alternative visions of technology, modernists found models for how the novel might become an autonomous, intellectual object rather than a familiar experience, and articulated a future for the novel by imagining it as a new kind of machine.

More books from Cambridge University Press

Cover of the book State and Nation Making in Latin America and Spain by Heather Fielding
Cover of the book Latin America Confronts the United States by Heather Fielding
Cover of the book The Destruction of Jerusalem in Early Modern English Literature by Heather Fielding
Cover of the book Financial Markets and Institutions by Heather Fielding
Cover of the book Kant's Idea for a Universal History with a Cosmopolitan Aim by Heather Fielding
Cover of the book Jurisprudence by Heather Fielding
Cover of the book The Cambridge Handbook of Immunities and International Law by Heather Fielding
Cover of the book Solvay by Heather Fielding
Cover of the book The Cambridge Handbook of the Learning Sciences by Heather Fielding
Cover of the book The Cambridge Companion to John Dryden by Heather Fielding
Cover of the book The Economics of Cultural Policy by Heather Fielding
Cover of the book The Cambridge Companion to Balzac by Heather Fielding
Cover of the book Shakespeare Survey 70: Volume 70 by Heather Fielding
Cover of the book Perception, Sensibility, and Moral Motivation in Augustine by Heather Fielding
Cover of the book Mindfulness and Performance by Heather Fielding
We use our own "cookies" and third party cookies to improve services and to see statistical information. By using this website, you agree to our Privacy Policy