Plains Indian Rock Art

Nonfiction, Social & Cultural Studies, Social Science, Cultural Studies, Minority Studies, Native American Studies
Cover of the book Plains Indian Rock Art by James D. Keyser, Michael A. Klassen, University of Washington Press
View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart
Author: James D. Keyser, Michael A. Klassen ISBN: 9780295806846
Publisher: University of Washington Press Publication: May 1, 2017
Imprint: University of Washington Press Language: English
Author: James D. Keyser, Michael A. Klassen
ISBN: 9780295806846
Publisher: University of Washington Press
Publication: May 1, 2017
Imprint: University of Washington Press
Language: English

The Plains region that stretches from northern Colorado to southern Alberta and from the Rockies to the western Dakotas is the land of the Cheyenne and the Blackfeet, the Crow and the Sioux. Its rolling grasslands and river valleys have nurtured human cultures for thousands of years. On cave walls, glacial boulders, and riverside cliffs, native people recorded their ceremonies, vision quests, battles, and daily activities in the petroglyphs and pictographs they incised, pecked, or painted onto the stone surfaces.

In this vast landscape, some rock art sites were clearly intended for communal use; others just as clearly mark the occurrence of a private spiritual encounter. Elders often used rock art, such as complex depictions of hunting, to teach traditional knowledge and skills to the young. Other sites document the medicine powers and brave deeds of famous warriors. Some Plains rock art goes back more than 5,000 years; some forms were made continuously over many centuries.

Archaeologists James Keyser and Michael Klassen show us the origins, diversity, and beauty of Plains rock art. The seemingly endless variety of images include humans, animals of all kinds, weapons, masks, mazes, handprints, finger lines, geometric and abstract forms, tally marks, hoofprints, and the wavy lines and starbursts that humans universally associate with trancelike states. Plains Indian Rock Art is the ultimate guide to the art form. It covers the natural and archaeological history of the northwestern Plains; explains rock art forms, techniques, styles, terminology, and dating; and offers interpretations of images and compositions.

View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart

The Plains region that stretches from northern Colorado to southern Alberta and from the Rockies to the western Dakotas is the land of the Cheyenne and the Blackfeet, the Crow and the Sioux. Its rolling grasslands and river valleys have nurtured human cultures for thousands of years. On cave walls, glacial boulders, and riverside cliffs, native people recorded their ceremonies, vision quests, battles, and daily activities in the petroglyphs and pictographs they incised, pecked, or painted onto the stone surfaces.

In this vast landscape, some rock art sites were clearly intended for communal use; others just as clearly mark the occurrence of a private spiritual encounter. Elders often used rock art, such as complex depictions of hunting, to teach traditional knowledge and skills to the young. Other sites document the medicine powers and brave deeds of famous warriors. Some Plains rock art goes back more than 5,000 years; some forms were made continuously over many centuries.

Archaeologists James Keyser and Michael Klassen show us the origins, diversity, and beauty of Plains rock art. The seemingly endless variety of images include humans, animals of all kinds, weapons, masks, mazes, handprints, finger lines, geometric and abstract forms, tally marks, hoofprints, and the wavy lines and starbursts that humans universally associate with trancelike states. Plains Indian Rock Art is the ultimate guide to the art form. It covers the natural and archaeological history of the northwestern Plains; explains rock art forms, techniques, styles, terminology, and dating; and offers interpretations of images and compositions.

More books from University of Washington Press

Cover of the book The Rebirth of Bodh Gaya by James D. Keyser, Michael A. Klassen
Cover of the book Familiar Strangers by James D. Keyser, Michael A. Klassen
Cover of the book The Self Between by James D. Keyser, Michael A. Klassen
Cover of the book DDT, Silent Spring, and the Rise of Environmentalism by James D. Keyser, Michael A. Klassen
Cover of the book The Art of Resistance by James D. Keyser, Michael A. Klassen
Cover of the book Cottonwood and the River of Time by James D. Keyser, Michael A. Klassen
Cover of the book Power in the Telling by James D. Keyser, Michael A. Klassen
Cover of the book Reclaimers by James D. Keyser, Michael A. Klassen
Cover of the book The Clinic and Elsewhere by James D. Keyser, Michael A. Klassen
Cover of the book Stirring Up Seattle by James D. Keyser, Michael A. Klassen
Cover of the book Queering Contemporary Asian American Art by James D. Keyser, Michael A. Klassen
Cover of the book Antitrust in Germany and Japan by James D. Keyser, Michael A. Klassen
Cover of the book Forgery and Impersonation in Imperial China by James D. Keyser, Michael A. Klassen
Cover of the book Reading Portland by James D. Keyser, Michael A. Klassen
Cover of the book A Landscape of Travel by James D. Keyser, Michael A. Klassen
We use our own "cookies" and third party cookies to improve services and to see statistical information. By using this website, you agree to our Privacy Policy