Posthuman Suffering and the Technological Embrace

Fiction & Literature, Literary Theory & Criticism, Science Fiction, Nonfiction, Religion & Spirituality, Philosophy
Cover of the book Posthuman Suffering and the Technological Embrace by Anthony Miccoli, Lexington Books
View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart
Author: Anthony Miccoli ISBN: 9780739144022
Publisher: Lexington Books Publication: January 15, 2009
Imprint: Lexington Books Language: English
Author: Anthony Miccoli
ISBN: 9780739144022
Publisher: Lexington Books
Publication: January 15, 2009
Imprint: Lexington Books
Language: English

Posthumanism portrays technology as an 'other' to be embraced, and consequently has lost sight of the basic realities of human/technological boundary. Technology becomes a superior model of information processing to which humans aspire. Posthuman Suffering contends that we do not embrace technology to expand and augment our selves, we embrace technology so that it may embrace us. Finally and most importantly, the posthuman view reconceptualizes the human being to be made more compatible with computerized systems or possible artificial intelligences. In the age of technology our own limitations are legitimized as unique to the human condition. Through those limitations, we can distinguish ourselves from our machines, making us superior to them via our own imperfection. Posthumanist discourse from scholars such as N. Katherine Hayles, Donna Haraway, and others, often fails to address the underlying meaning behind our technological aspirations, and actually perpetuates the belief that properly embracing technology allows us to overcome the very need to technology itself; if we possess the right apparatus to take in the world and the code which instantiates it, then the world will give us everything it has to offer. In so doing, we sacrifice the objective of experiencing the world for the object through which it should be experienced. By revealing the theoretical and historical foundations of posthumanism through the work of Elaine Scarry, Freud, Heidegger, and Lyotard; and tracing narrative representations of failed posthuman ontologies in Thomas Pynchon's The Crying of Lot 49, Don DeLillo's White Noise and Steven Spielberg's film, AI: Artificial Intelligence, Posthuman Suffering and the Technological Embrace re-frames the core assumptions of posthumanism in terms of psychological trauma and the physicality of the human/technological interface itself.

View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart

Posthumanism portrays technology as an 'other' to be embraced, and consequently has lost sight of the basic realities of human/technological boundary. Technology becomes a superior model of information processing to which humans aspire. Posthuman Suffering contends that we do not embrace technology to expand and augment our selves, we embrace technology so that it may embrace us. Finally and most importantly, the posthuman view reconceptualizes the human being to be made more compatible with computerized systems or possible artificial intelligences. In the age of technology our own limitations are legitimized as unique to the human condition. Through those limitations, we can distinguish ourselves from our machines, making us superior to them via our own imperfection. Posthumanist discourse from scholars such as N. Katherine Hayles, Donna Haraway, and others, often fails to address the underlying meaning behind our technological aspirations, and actually perpetuates the belief that properly embracing technology allows us to overcome the very need to technology itself; if we possess the right apparatus to take in the world and the code which instantiates it, then the world will give us everything it has to offer. In so doing, we sacrifice the objective of experiencing the world for the object through which it should be experienced. By revealing the theoretical and historical foundations of posthumanism through the work of Elaine Scarry, Freud, Heidegger, and Lyotard; and tracing narrative representations of failed posthuman ontologies in Thomas Pynchon's The Crying of Lot 49, Don DeLillo's White Noise and Steven Spielberg's film, AI: Artificial Intelligence, Posthuman Suffering and the Technological Embrace re-frames the core assumptions of posthumanism in terms of psychological trauma and the physicality of the human/technological interface itself.

More books from Lexington Books

Cover of the book Mapping the Megalopolis by Anthony Miccoli
Cover of the book Issues in Corrections by Anthony Miccoli
Cover of the book Who Must Die in Rwanda's Genocide? by Anthony Miccoli
Cover of the book Religion and Regimes by Anthony Miccoli
Cover of the book Lesbian, Queer, and Bisexual Women in Heterosexual Relationships by Anthony Miccoli
Cover of the book Conflict, Bargaining, and Kinship Networks in Medieval Eastern Europe by Anthony Miccoli
Cover of the book The Dissolution of the Financial State by Anthony Miccoli
Cover of the book Forging Military Identity in Culturally Pluralistic Societies by Anthony Miccoli
Cover of the book Brahman and Dao by Anthony Miccoli
Cover of the book Leisure, Plantations, and the Making of a New South by Anthony Miccoli
Cover of the book Uneasy Neighbors by Anthony Miccoli
Cover of the book Press Portrayals of Women Politicians, 1870s–2000s by Anthony Miccoli
Cover of the book Globalization, Gender Politics, and the Media by Anthony Miccoli
Cover of the book Human Rights and the Arts in Global Asia by Anthony Miccoli
Cover of the book Feminists, Feminisms, and Advertising by Anthony Miccoli
We use our own "cookies" and third party cookies to improve services and to see statistical information. By using this website, you agree to our Privacy Policy