Proust Writing Photography

Fixing the Fugitive in A La Recherche Du Temps Perdu

Nonfiction, Reference & Language, Foreign Languages, Language Arts
Cover of the book Proust Writing Photography by Aine Larkin, Taylor and Francis
View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart
Author: Aine Larkin ISBN: 9781351552905
Publisher: Taylor and Francis Publication: July 5, 2017
Imprint: Routledge Language: English
Author: Aine Larkin
ISBN: 9781351552905
Publisher: Taylor and Francis
Publication: July 5, 2017
Imprint: Routledge
Language: English

The importance of vision and visual arts such as painting, theatre, and sculpture in Marcel Proust's A la recherche du temps perdu has long been affirmed; another significant system of visual representation in the novel is photography. Proust appropriated photography as a practice with its own distinctive characteristics which could inform his writing about the processes of perception and memory. Through close textual analysis of scenes where photography is experienced or observed as a practice, and scenes where photography is written into the body of the text, Aine Larkin offers an invigorating new study that sheds genuinely new light on the presence of photographic motifs in Proust's novel, and the subtlety of Proust's engagement with this modern imaging system in his work.

View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart

The importance of vision and visual arts such as painting, theatre, and sculpture in Marcel Proust's A la recherche du temps perdu has long been affirmed; another significant system of visual representation in the novel is photography. Proust appropriated photography as a practice with its own distinctive characteristics which could inform his writing about the processes of perception and memory. Through close textual analysis of scenes where photography is experienced or observed as a practice, and scenes where photography is written into the body of the text, Aine Larkin offers an invigorating new study that sheds genuinely new light on the presence of photographic motifs in Proust's novel, and the subtlety of Proust's engagement with this modern imaging system in his work.

More books from Taylor and Francis

Cover of the book People, Not Psychiatry by Aine Larkin
Cover of the book We the Tikopia by Aine Larkin
Cover of the book Reading Modern Law by Aine Larkin
Cover of the book Cognitive Development and Education by Aine Larkin
Cover of the book The Archive Effect by Aine Larkin
Cover of the book Over the Threshold by Aine Larkin
Cover of the book Home Education in Historical Perspective by Aine Larkin
Cover of the book The Classical Hollywood Reader by Aine Larkin
Cover of the book Antony and Cleopatra by Aine Larkin
Cover of the book Understanding Poststructuralism by Aine Larkin
Cover of the book International Financial Co-Operation by Aine Larkin
Cover of the book What English Language Teachers Need to Know Volume II by Aine Larkin
Cover of the book Handbook of Anthropology in Business by Aine Larkin
Cover of the book The Ties that Bind by Aine Larkin
Cover of the book Blood Into Ink by Aine Larkin
We use our own "cookies" and third party cookies to improve services and to see statistical information. By using this website, you agree to our Privacy Policy