Quadrophenia

Nonfiction, Entertainment, Film, History & Criticism, Performing Arts
Cover of the book Quadrophenia by Stephen Glynn, Columbia University Press
View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart
Author: Stephen Glynn ISBN: 9780231850551
Publisher: Columbia University Press Publication: February 18, 2014
Imprint: WallFlower Press Language: English
Author: Stephen Glynn
ISBN: 9780231850551
Publisher: Columbia University Press
Publication: February 18, 2014
Imprint: WallFlower Press
Language: English

1964: Mods clash with Rockers in Brighton, creating a moral panic. 1973: ex-Mod band The Who release Quadrophenia, a concept album following young Mod Jimmy Cooper to the Brighton riots and beyond. 1979: Franc Roddam directs Quadrophenia, a film based on Pete Townshend's album narrative; its cult status is immediate. 2013: almost fifty years on from Brighton, this first academic study explores the lasting appeal of 'England's Rebel Without a Cause'. Investigating academic, music, press, and fan-based responses, Glynn argues that the 'Modyssey' enacted in Quadrophenia intrigues because it opens a hermetic subculture to its social-realist context; it enriches because it is a cult film that dares to explore the dangers in being part of a cult; it endures because of its 'emotional honesty', showing Jimmy as failing, with family, job, girl, and group; it excites because we all know that, at some point in our lives, 'I was there!'

View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart

1964: Mods clash with Rockers in Brighton, creating a moral panic. 1973: ex-Mod band The Who release Quadrophenia, a concept album following young Mod Jimmy Cooper to the Brighton riots and beyond. 1979: Franc Roddam directs Quadrophenia, a film based on Pete Townshend's album narrative; its cult status is immediate. 2013: almost fifty years on from Brighton, this first academic study explores the lasting appeal of 'England's Rebel Without a Cause'. Investigating academic, music, press, and fan-based responses, Glynn argues that the 'Modyssey' enacted in Quadrophenia intrigues because it opens a hermetic subculture to its social-realist context; it enriches because it is a cult film that dares to explore the dangers in being part of a cult; it endures because of its 'emotional honesty', showing Jimmy as failing, with family, job, girl, and group; it excites because we all know that, at some point in our lives, 'I was there!'

More books from Columbia University Press

Cover of the book An Insurrectionist Manifesto by Stephen Glynn
Cover of the book Radical Democracy and Political Theology by Stephen Glynn
Cover of the book Beyond Bruce Lee by Stephen Glynn
Cover of the book Late Cretaceous and Cenozoic Mammals of North America by Stephen Glynn
Cover of the book The Columbia Anthology of Modern Chinese Drama by Stephen Glynn
Cover of the book Decision Cases for Advanced Social Work Practice by Stephen Glynn
Cover of the book Socialism of Fools by Stephen Glynn
Cover of the book Conservatives Against Capitalism by Stephen Glynn
Cover of the book Kissing Cousins by Stephen Glynn
Cover of the book Shanghai Homes by Stephen Glynn
Cover of the book Decoding Al-Qaeda's Strategy by Stephen Glynn
Cover of the book The Japanese and the War by Stephen Glynn
Cover of the book Are the Lips a Grave? by Stephen Glynn
Cover of the book Where Are the Women? by Stephen Glynn
Cover of the book Happiness and Goodness by Stephen Glynn
We use our own "cookies" and third party cookies to improve services and to see statistical information. By using this website, you agree to our Privacy Policy