The Beethoven Sonatas and the Creative Experience

Nonfiction, Entertainment, Music, Instruments & Instruction, Piano & Keyboard, General Instruments
Cover of the book The Beethoven Sonatas and the Creative Experience by Kenneth Drake, Indiana University Press
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Author: Kenneth Drake ISBN: 9780253011534
Publisher: Indiana University Press Publication: April 22, 1994
Imprint: Indiana University Press Language: English
Author: Kenneth Drake
ISBN: 9780253011534
Publisher: Indiana University Press
Publication: April 22, 1994
Imprint: Indiana University Press
Language: English

The definitive study of Beethoven’s piano sonatas is “remarkable as an insider’s account of the works in an individual perspective.” (European Music Teacher)

In “one of the most interesting, useful and even exciting books on the process of musical creation” (American Music Teacher), Kenneth O. Drake groups the Beethoven piano sonatas according to their musical qualities, rather than their chronology. He explores the interpretive implications of rhythm, dynamics, slurs, harmonic effects, and melodic development and identifies specific measures where Beethoven skillfully employs these compositional devices.

An interpreter searching for meaning, Drake begins with Beethoven’s expressive treatment of the keyboard—the variations of touch, articulation, line, color, use of silence, and the pacing of musical ideas. He then analyzes individual sonatas, exploring motivic development, philosophic overtones, and technical demands. Hundreds of musical examples illustrate this exploration of emotional and interpretive implications of “the 32.” Here musicians are encouraged to exercise intuition and independence of thought, complementing their performance skills with logical conclusions about ideas and relationships within the score.

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The definitive study of Beethoven’s piano sonatas is “remarkable as an insider’s account of the works in an individual perspective.” (European Music Teacher)

In “one of the most interesting, useful and even exciting books on the process of musical creation” (American Music Teacher), Kenneth O. Drake groups the Beethoven piano sonatas according to their musical qualities, rather than their chronology. He explores the interpretive implications of rhythm, dynamics, slurs, harmonic effects, and melodic development and identifies specific measures where Beethoven skillfully employs these compositional devices.

An interpreter searching for meaning, Drake begins with Beethoven’s expressive treatment of the keyboard—the variations of touch, articulation, line, color, use of silence, and the pacing of musical ideas. He then analyzes individual sonatas, exploring motivic development, philosophic overtones, and technical demands. Hundreds of musical examples illustrate this exploration of emotional and interpretive implications of “the 32.” Here musicians are encouraged to exercise intuition and independence of thought, complementing their performance skills with logical conclusions about ideas and relationships within the score.

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