The Cinema of Michael Winterbottom

Borders, Intimacy, Terror

Nonfiction, Entertainment, Film, History & Criticism, Performing Arts
Cover of the book The Cinema of Michael Winterbottom by Bruce Bennett, Columbia University Press
View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart
Author: Bruce Bennett ISBN: 9780231850537
Publisher: Columbia University Press Publication: November 26, 2013
Imprint: WallFlower Press Language: English
Author: Bruce Bennett
ISBN: 9780231850537
Publisher: Columbia University Press
Publication: November 26, 2013
Imprint: WallFlower Press
Language: English

This comprehensive study of prolific British filmmaker Michael Winterbottom explores the thematic, stylistic, and intellectual consistencies running through his eclectic and controversial body of work. This volume undertakes a close analysis of a TV series directed by Winterbottom and sixteen of his films ranging from television dramas to transnational co-productions featuring Hollywood stars, and from documentaries to costume films. The critique is centered on Winterbottom's collaborative working practices, political and cultural contexts, and critical reception. Arguing that his work delineates a 'cinema of borders', this study examines Winterbottom's treatment of sexuality, class, ethnicity, and national and international politics, as well as his quest to adequately narrate inequality, injustice, and violence.

View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart

This comprehensive study of prolific British filmmaker Michael Winterbottom explores the thematic, stylistic, and intellectual consistencies running through his eclectic and controversial body of work. This volume undertakes a close analysis of a TV series directed by Winterbottom and sixteen of his films ranging from television dramas to transnational co-productions featuring Hollywood stars, and from documentaries to costume films. The critique is centered on Winterbottom's collaborative working practices, political and cultural contexts, and critical reception. Arguing that his work delineates a 'cinema of borders', this study examines Winterbottom's treatment of sexuality, class, ethnicity, and national and international politics, as well as his quest to adequately narrate inequality, injustice, and violence.

More books from Columbia University Press

Cover of the book The Lioness in Winter by Bruce Bennett
Cover of the book The Subject of Torture by Bruce Bennett
Cover of the book Psychoanalysis and the Human Sciences by Bruce Bennett
Cover of the book The President and His Inner Circle by Bruce Bennett
Cover of the book The Assault on Social Policy by Bruce Bennett
Cover of the book The Sound of the Kiss, or The Story That Must Never Be Told by Bruce Bennett
Cover of the book Human Behavior and Social Environments by Bruce Bennett
Cover of the book The Lyrical in Epic Time by Bruce Bennett
Cover of the book The Late Age of Print by Bruce Bennett
Cover of the book American Pests by Bruce Bennett
Cover of the book Essential Law for Social Workers by Bruce Bennett
Cover of the book Palestinians in Syria by Bruce Bennett
Cover of the book The New European Cinema by Bruce Bennett
Cover of the book Moral Hazard in Health Insurance by Bruce Bennett
Cover of the book Narrative in Social Work Practice by Bruce Bennett
We use our own "cookies" and third party cookies to improve services and to see statistical information. By using this website, you agree to our Privacy Policy