The Medieval Filmscape

Reflections of Fear and Desire in a Cinematic Mirror

Nonfiction, History, Medieval, Entertainment, Performing Arts, Film
Cover of the book The Medieval Filmscape by William F. Woods, McFarland & Company, Inc., Publishers
View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart
Author: William F. Woods ISBN: 9781476613413
Publisher: McFarland & Company, Inc., Publishers Publication: January 23, 2014
Imprint: Language: English
Author: William F. Woods
ISBN: 9781476613413
Publisher: McFarland & Company, Inc., Publishers
Publication: January 23, 2014
Imprint:
Language: English

This book is an attempt at defining the genre of medieval film by describing its features and analyzing its effects and their significance, there being few works presently available that work toward such definition. There are three parts: the introduction enters the medieval film world, describing its typical features and showing how they create a convincing sense of its time; three short chapters discuss authenticity, simplicity and spectacle—the roots of film medievalism; and six longer chapters comment on individual films. Works are discussed that extend the reach of the genre, such as Dreyer’s La Passion de Jeanne d’Arc with its emotional range, or Bergman’s Seventh Seal, which creates a universal symbolism. The author describes what goes into a medieval film and how it affects its audience, while offering suggestions about why its themes are meaningful to us.

View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart

This book is an attempt at defining the genre of medieval film by describing its features and analyzing its effects and their significance, there being few works presently available that work toward such definition. There are three parts: the introduction enters the medieval film world, describing its typical features and showing how they create a convincing sense of its time; three short chapters discuss authenticity, simplicity and spectacle—the roots of film medievalism; and six longer chapters comment on individual films. Works are discussed that extend the reach of the genre, such as Dreyer’s La Passion de Jeanne d’Arc with its emotional range, or Bergman’s Seventh Seal, which creates a universal symbolism. The author describes what goes into a medieval film and how it affects its audience, while offering suggestions about why its themes are meaningful to us.

More books from McFarland & Company, Inc., Publishers

Cover of the book Martyr of Loray Mill by William F. Woods
Cover of the book The Creation of American Law by William F. Woods
Cover of the book Reporting Baseball's Sensational Season of 1890 by William F. Woods
Cover of the book War and Film in America by William F. Woods
Cover of the book Intimacy in Cinema by William F. Woods
Cover of the book Exploring Downton Abbey by William F. Woods
Cover of the book Joss Whedon and Race by William F. Woods
Cover of the book A Dark California by William F. Woods
Cover of the book The Metaphysical Mysteries of G.K. Chesterton by William F. Woods
Cover of the book The Speed of Heat by William F. Woods
Cover of the book Feminist Perspectives on Orange Is the New Black by William F. Woods
Cover of the book Florence Nightingale, Feminist by William F. Woods
Cover of the book Scenes from an Automotive Wonderland by William F. Woods
Cover of the book James Ellroy by William F. Woods
Cover of the book The War on Sex by William F. Woods
We use our own "cookies" and third party cookies to improve services and to see statistical information. By using this website, you agree to our Privacy Policy