Velázquez and The Surrender of Breda
The Making of a Masterpiece
Biography & Memoir, Artists, Architects & Photographers, Nonfiction, Art & Architecture
| Author: | Anthony Bailey | ISBN: | 9781429973779 |
| Publisher: | Henry Holt and Co. | Publication: | November 8, 2011 |
| Imprint: | Henry Holt and Co. | Language: | English |
| Author: | Anthony Bailey |
| ISBN: | 9781429973779 |
| Publisher: | Henry Holt and Co. |
| Publication: | November 8, 2011 |
| Imprint: | Henry Holt and Co. |
| Language: | English |
Behind the famous painting by Diego Velázquez lies a rich story of the artist's life in art
What began as propaganda art to celebrate a rare Spanish victory in the Eighty Years' War with Holland, The Surrender at Breda is today recognized as Velázquez's narrative masterpiece.
Breda is packed with vivid military detail—whole armies are suggested on the huge canvas, twelve feet high and eleven feet wide. Unlike typical surrender scenes, there is neither a heroic victor on horseback nor a vanquished commander on his knees. Instead the rivals appear on foot almost as equals. The loser bends forward to offer the key and receives a chivalrous pat on his shoulder, as if to say: "Fortune has favored me, but our roles might have been reversed."
Anthony Bailey examines the paintings from which the artist arose, coaxing stories from them that flesh out a complete portrait of one of the world's major artists whose personal life has remained largely unknown.
Behind the famous painting by Diego Velázquez lies a rich story of the artist's life in art
What began as propaganda art to celebrate a rare Spanish victory in the Eighty Years' War with Holland, The Surrender at Breda is today recognized as Velázquez's narrative masterpiece.
Breda is packed with vivid military detail—whole armies are suggested on the huge canvas, twelve feet high and eleven feet wide. Unlike typical surrender scenes, there is neither a heroic victor on horseback nor a vanquished commander on his knees. Instead the rivals appear on foot almost as equals. The loser bends forward to offer the key and receives a chivalrous pat on his shoulder, as if to say: "Fortune has favored me, but our roles might have been reversed."
Anthony Bailey examines the paintings from which the artist arose, coaxing stories from them that flesh out a complete portrait of one of the world's major artists whose personal life has remained largely unknown.
