Whither the Waters

Mapping the Great Basin from Bernardo de Miera to John C. Frémont

Nonfiction, History, Americas, United States
Cover of the book Whither the Waters by John L. Kessell, University of New Mexico Press
View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart
Author: John L. Kessell ISBN: 9780826358240
Publisher: University of New Mexico Press Publication: April 15, 2017
Imprint: University of New Mexico Press Language: English
Author: John L. Kessell
ISBN: 9780826358240
Publisher: University of New Mexico Press
Publication: April 15, 2017
Imprint: University of New Mexico Press
Language: English

Bernardo de Miera y Pacheco (1713–1785) is remembered today not only as colonial New Mexico’s preeminent religious artist, but also as the cartographer who drew some of the most important early maps of the American West. His “Plano Geographico” of the Colorado Plateau and Great Basin, revised by his hand in 1778, influenced other mapmakers for almost a century. This book places the man and the map in historical context, reminding readers of the enduring significance of Miera y Pacheco. Later Spanish cartographers, as well as Baron Alexander von Humboldt, Captain Zebulon Montgomery Pike, and Henry Schenck Tanner, projected or expanded upon the Santa Fe cartographer’s imagery. By so doing, they perpetuated Miera y Pacheco’s most notable hydrographic misinterpretations. Not until almost seventy years after Miera did John Charles Frémont take the field and see for himself whither the waters ran and whither they didn’t.

View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart

Bernardo de Miera y Pacheco (1713–1785) is remembered today not only as colonial New Mexico’s preeminent religious artist, but also as the cartographer who drew some of the most important early maps of the American West. His “Plano Geographico” of the Colorado Plateau and Great Basin, revised by his hand in 1778, influenced other mapmakers for almost a century. This book places the man and the map in historical context, reminding readers of the enduring significance of Miera y Pacheco. Later Spanish cartographers, as well as Baron Alexander von Humboldt, Captain Zebulon Montgomery Pike, and Henry Schenck Tanner, projected or expanded upon the Santa Fe cartographer’s imagery. By so doing, they perpetuated Miera y Pacheco’s most notable hydrographic misinterpretations. Not until almost seventy years after Miera did John Charles Frémont take the field and see for himself whither the waters ran and whither they didn’t.

More books from University of New Mexico Press

Cover of the book Apache Voices by John L. Kessell
Cover of the book Monte Walsh by John L. Kessell
Cover of the book Gold Mountain Turned to Dust by John L. Kessell
Cover of the book The Young Neurosurgeon by John L. Kessell
Cover of the book Dreaming the Biosphere: The Theater of All Possibilities by John L. Kessell
Cover of the book Amadito and the Hero Children: Amadito y los Ninos Heroes by John L. Kessell
Cover of the book Fifty Years at the Pit by John L. Kessell
Cover of the book Ch'orti'-Maya Survival in Eastern Guatemala: Indigeneity in Transition by John L. Kessell
Cover of the book A History of Mining in Latin America: From the Colonial Era to the Present by John L. Kessell
Cover of the book The Great Taos Bank Robbery and Other True Stories by John L. Kessell
Cover of the book Buffalo Bill on Stage by John L. Kessell
Cover of the book The Forester's Log: Musings from the Woods by John L. Kessell
Cover of the book Fight Like a Man and Other Stories We Tell Our Children by John L. Kessell
Cover of the book Spaceshots and Snapshots of Projects Mercury and Gemini by John L. Kessell
Cover of the book The Grandchildren of Solano López by John L. Kessell
We use our own "cookies" and third party cookies to improve services and to see statistical information. By using this website, you agree to our Privacy Policy